Bas-relief

The work we are presenting today, a carved marble bas-relief, depicts a procession of figures dressed in long robes, likely monks or clergy, advancing in a line carrying long candles. Four acolytes precede and open the procession, illuminating their path. In the center of the composition, a figure holding a lantern-shaped reliquary with both hands is distinguishable. Beside them, a younger, shorter figure holds an object, possibly a bell. The procession is closed by four other figures, one of whom appears to be looking towards the viewer, introducing an element of direct engagement with the observer. Along the entire upper edge of the relief runs a band with a Latin inscription that seems to refer to a commemorative event. Among the legible text, we find "D(E) C(O)NSO(L)A," which could be interpreted as a reference to the Consorteria, an association of families, typically of noble rank, formed to protect and defend their assets and interests. "BERARD D PODO" is also legible, likely referring to Berardo da Poggio. This figure could hypothetically be identified as a prominent member of the local community, perhaps a nobleman, a consular magistrate, or a high-ranking ecclesiastical dignitary. Finally, the name "BENEDICTI" (Benedict) appears. This term might refer to a religious authority and/or patron under whose mandate the work was created. Based on the figurative elements and the inscription, it can be hypothesized that the scene represents the solemn celebration or ratification of a peace agreement aimed at ending an internal conflict between city factions. In this perspective, the figure identifiable as Berardo might have played a role in political and/or institutional mediation in resolving the conflict. The procession would therefore hold significance not only religious but also civic and political. The collective participation of the figures, united in an orderly procession and sharing a religious rite, could constitute a visual representation of the rediscovered cohesion of the city community and the common will to re-establish order and harmony. The presence of the reliquary, solemnly carried at the center of the procession, would reinforce the sacred dimension of the event, suggesting divine protection for the community. In this context, the reference to Benedict could indicate an ecclesiastical authority involved in the ceremony, guaranteeing the agreement and the re-established peace. Stylistically, both in the conception of the composition and in the rigidity of the figures, the work recalls the figurative tradition of the 13th/14th century. However, the presence of the date "MCCCCC" clearly places the inscription within the sculptural intervention of the 16th century, an era when relief could function as a "monumental" document intended to make visible and lasting events, agreements, and public memories of a political, religious, and legal nature. Beyond being a fascinating collector's item, it is a testimony capable of raising questions and stimulating curiosity about the historical context in which it was created. Dimensions: 51.5 x 36 cm - height 10 cm